I believe Hitch's contribution to Elstree Calling is the unfunny sequences with Gordon Harker trying to fix his
radio. I'm not sure this gives any noticeable evidence of the genius of Hitchcock. The film is mostly a bore but with a few eye-catching sequences - normally involving dancers and a bit of hand colouring.
Mary is the version of Murder! that Hitch made for the German market - we honoured this by having a copy without English subtitles - so we watched the first half in German, with French subtitles, hoping that our years of schooling and knowledge of the film would get us through the language issue.
Hazel then found a copy with English subs on YouTube and we were able to relzx a little for the second half of the film.
It's Murder! which I liked, and didn't really deviate too much. I still enjoyed it but will probably knock off a mark for my own deficiencies!
Source: DVD & YouTube
Lesson learned: Work harder at school
I was superficially aware of Alex Chilton before I really knew Big Star, through The Letter, which I had on a 60s compilation LP (probably more than one).
During a short-lived, early 80s foray into Psyhcobilly I bought a compilation album called Rockabilly Psychosis and the Garage Disease that was pretty much my Psychobilly bible (along with the (first two) Blood on the Cats comps). It had some old gems - Psycho by The Sonics, The Crusher by The Novas; and some new gems by the likes of The Guana Batz, The Cramps and The Meteors.
But possibly my fave track on the album was Tav Falco's Panther Burns Dateless Night. A few years later I bought The World We Knew on the strength of Dateless Night ... and a couple of years on I became aware of Big Star.
The track is a pretty straight cover of an Alan (Allen) Page track from the late 50s
An instrumental version is on the reissues of Like Flies on Sherbert but I'm not too sure when this dates from
I rather love hearing Alex's voice on the version on Live in London
Most of the 80s rockabilly/psyhcobilly revivalists have had a pop at Dateless Night but they're all pretty straight and often fairly dull, so instead here's Tav Falco performing the song a couple of years back in New Orleans
I only saw Alex once, when the reformed Big Star arrived in London with The Posies on the back of the Ryko reissues in 1992.